Becoming Laura Ingalls Wilder: The Woman behind the Legend (Volume 1) (Missouri Biography Series) by Miller, John E. Format: PaperbackPublished by University of Missouri, 2006 Although generations of readers of the Little House books are familiar with Laura Ingalls Wilder’s early life up through her first years of marriage to Almanzo Wilder, few know about her adult years. Going beyond previous studies, Becoming Laura Ingalls Wilder focuses upon Wilder’s years in Missouri from 1894 to 1957. Utilizing her unpublished autobiography, letters, newspaper stories, and other documentary evidence, John E. Miller fills the gaps in Wilder’s autobiographical novels and describes her sixty-three years of living in Mansfield, Missouri. As a result, the process of personal development that culminated in Wilder’s writing of the novels that secured her reputation as one of America’s most popular children’s authors becomes evident. Publishers Weekly It takes Miller one-third of this fact-clogged biography to start showing Laura Ingalls Wilder as the woman behind the legend, but when he finally does, the picture is fascinating. Wilder, whose seven semiautobiographical 'Little House on the Prairie' books have been read by millions and inspired a television series, was a bossy wife, a penny-pincher who once protested her power company's rates by having her electricity shut off and a political right-winger. By far the most absorbing aspect of Miller's book is the story of Wilder's relationship with her only child. Rose Wilder Lane was a childless divorce and an established writer by the time her mother began writing novels at age 63, and she edited her mother's books and got her agent to handle them. Miller draws heavily on Lane's diaries and letters, which often contain diatribes against a mother she alternately loved and resented. But while Wilder left no personal papers presenting her side, Miller seems to paint a balanced portrait. He's not so balanced elsewhere, and in an effort to contextualize his subject, he often presents reams of redundant or unnecessary political, geographical and cultural details that bog down what is otherwise a very interesting story.
