Spring 2005

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Features:“A Passion for Listening” by Victoria Fenner“Unsettling the Score: Christian Wolff’s Compositions” by Gayle Young with interview by John Sherlock“Notes Towards a Canadian Remix” by Jesse StewartCommentary:“The Immeasurable Space of Tones (2003)” by John Luther Adams“Project SYMPHOSIUM: Art and Politics (Part One)” by Udo KasemetsD.I.Y. Music: “Your Computer as Instrument Part 2: Software Programs” by Barry ProphetVisions of Sound:“Christian Bok”Event Reviews:Soundplay: Electroacoustic Festival (November 2004, Toronto, ON). By Gregory PrestonVancouver New Music: Diamanda Galás (October 2004, Vancouver, BC). By Randy Raine-ReuschSounds Like Now: Celebrating the Interpretations Series at 15 (October 2004, New York, NY). By Alan LockwoodHaliburton Soundscape Retreat (October 2004, Haliburton, ON). By Lynn HarriganCanadian Opera Company: The Handmaid’s Tale (Toronto, ON, September 2004). By Stephanie Moore.The 11th Annual Guelph Jazz Festival & Colloquium (September 2004, Guelph, ON). By James HarleyGobsmacked! (August 2004, Toronto, ON). By Stephanie MoorePublic art : sonic spaces (August 2004, Toronto, ON). By Lynn Harrigan.Sound Symposium (July 2004, St. John’s, NL). By René van PeerJanet Cardiff’s Forty-Part Motet (June–September 2004). By Lynn HarriganElectro-Erotic Cabaret (June 2004, Toronto, ON). By Kristiana ClemensThe Lab 3.5: Pavilion of Heavenly Trousers (February–March 2004, Victoria, BC). By John Luna.Deep Wireless Festival of Radio Art (May 2004, Toronto, ON). By Kristiana ClemensWords:Austin Clarkson, ed. On the Music of Stefan Wolpe, Essays and Recollection. By Udo KasemetsBen Watson. Derek Bailey and the Sotry of Free Improvisation. By Ken Waxman Show more